All pictures used in this website are copyright
2008 – 2020 © Mulan Gallery. All Rights Reserved.
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- Past Exhibitions
- Prints Through Time
- Leaf & Lore
- Ways of Seeing
- Celebrating Women Artists: CE5
- Moving Plates
- Mimesis
- CCB
- EveryDayDreams
- Ceramic Expressions 4th Edition
- Apposite Ground: A Remix of Media Art and Interactivity
- A Passage Through Colours
- 10 Years of Comics Art
- Ceramic Expressions 3rd Edition
- To Have and Not To Hold
- Within Without
- Ceramic Expressions 2nd Edition
- Singapore Stories
- Ceramic Expressions 1st Edition
- Working Proofs
- On Common Ground
- Heirloom
- The Duality of Love
- Kei - Memories In Clay
- Monthly Feature 1
- French Kiss
- The Art of Reading @ Auxenxios
- The Art of Charlie Chan Hock Chye
- Beyond Reality
- Looking In Is The Only Way Out
- Not All Dreams are Dreams
- Kaleidoscopic
- Kopi Culture
- IPOS
- Skinny Beautiful Woman
- Lines of Poetry
- Unbound
- Contingency
- Between Lines
- NHN: Change The World
- The Dream Weavers
- Colours of Innocence
- Let's Go On a Merry Go Round
- Confluence: Sojourn
- Singapore, In Heart and In Soul
- Ethereal Roots
- Placidity of Nature
- Chinese Contemporary Art
- The Power of Life
- Sequential Art Attacks
- SurfaceScapes
- Spellbound 以女为美
- All The World’s A Stage人生如戏
- Sequential Arts. A Comic Art Exhibition
- Official Launch of 2nd Edition Gallery Profile Booklet and Website
- Narratives of the East
- Masquerade
- Graceful Moods
- Luminosity
- Monochromatism
- Different Strokes, Modern Visions of Asia
- Lucky Plazas
- Illusory Worlds
- Beyond Simplicity
- Images Breakdown II
- Man Heroes Myths & Gods
Past Exhibitions
Different Strokes, Modern Visions of Asia
By Jirapat Tatsanasomboon, Kamol Tamseewan and Shi Wei
Private Event with CitiGold, Cuscaden Branch, Singapore (Reception: 20 November 2009)
The three artists present varied expressions each arising from contemporary Asia. While Kamol Tamseewan and Jirapat Tatsanasombon, both Thai artists, paint their familiar subjects in new metaphors, Chinese sculptor Shi Wei imbues his creations with the angst and ambiguity of modern existence. Kamol's black and white portraits on large canvases are both abstract and realistic- a visual treat, alive with energy and movement. Jirapat creates at once entertaining and engaging compositions with the unmistakable qualities of Thai culture –evident in the colours, symbols and the juxtapositions as well. Shi Wei's sculptures on the other hand depict women at once liberated, sensual and yet forced to compel to norms of desirability.
