All pictures used in this website are copyright
2008 – 2020 © Mulan Gallery. All Rights Reserved.
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- Past Exhibitions
- Prints Through Time
- Leaf & Lore
- Ways of Seeing
- Celebrating Women Artists: CE5
- Moving Plates
- Mimesis
- CCB
- EveryDayDreams
- Ceramic Expressions 4th Edition
- Apposite Ground: A Remix of Media Art and Interactivity
- A Passage Through Colours
- 10 Years of Comics Art
- Ceramic Expressions 3rd Edition
- To Have and Not To Hold
- Within Without
- Ceramic Expressions 2nd Edition
- Singapore Stories
- Ceramic Expressions 1st Edition
- Working Proofs
- On Common Ground
- Heirloom
- The Duality of Love
- Kei - Memories In Clay
- Monthly Feature 1
- Future Imperfect
- French Kiss
- The Art of Reading @ Auxenxios
- The Art of Charlie Chan Hock Chye
- Beyond Reality
- Looking In Is The Only Way Out
- Not All Dreams are Dreams
- Kaleidoscopic
- Kopi Culture
- IPOS
- Skinny Beautiful Woman
- Lines of Poetry
- Unbound
- Contingency
- Between Lines
- NHN: Change The World
- The Dream Weavers
- Colours of Innocence
- Let's Go On a Merry Go Round
- Confluence: Sojourn
- Singapore, In Heart and In Soul
- Ethereal Roots
- Placidity of Nature
- Chinese Contemporary Art
- The Power of Life
- Sequential Art Attacks
- SurfaceScapes
- Spellbound 以女为美
- All The World’s A Stage人生如戏
- Sequential Arts. A Comic Art Exhibition
- Official Launch of 2nd Edition Gallery Profile Booklet and Website
- Narratives of the East
- Masquerade
- Graceful Moods
- Luminosity
- Monochromatism
- Different Strokes, Modern Visions of Asia
- Lucky Plazas
- Illusory Worlds
- Beyond Simplicity
- Images Breakdown II
- Man Heroes Myths & Gods
Past Exhibitions
Future Imperfect: Young Printmakers League 2016
Participating Artist:
Ang Ying Xian, Fyon Cheong, Mary Bernadette Lee, Michelle Lim,
Ying Tong Tan, Odelia Tang, André Wee and Winnie Yip
4 June 2016 - 18 June 2016 (Reception: 3 June 2016)
The Young Printmakers League Mentorship Programme had its open call in December 2015. The response was over-whelming and we received more than a hundred applicants vying for the six places allocated in the programme.
With advance technologies, computer softwares and digital printers can do a better job in printing better and perfect pictures. However, this programme is not about learning how to print pretty pictures. For printmaking to survive as an art form, we have to inject new ideas and push our boundaries to create prints beyond its traditional method in this changing world we live in. Printmaking has survived today not in spite of, but because of its imperfection. Our programme encourages one to break some rules of printmaking.
The selected apprentices went through a series of workshops on various techniques of printmaking. In the process, they have to conceptualise what they would like to work on after these workshops. Throughout the programme, the apprentices were encouraged to explore new ideas and experiment new ways of printing. They have to look for unconventional ways of printing and materials to print on, without losing focus on their original intention.
This exhibition showcases works by the first batch of Young Printmakers League. These works were created during the five months mentorship programme under Joseph Chiang of Monster Gallery.
