All pictures used in this website are copyright
2008 – 2020 © Mulan Gallery. All Rights Reserved.
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- Past Exhibitions
- Prints Through Time
- Leaf & Lore
- Ways of Seeing
- Celebrating Women Artists: CE5
- Moving Plates
- Mimesis
- CCB
- EveryDayDreams
- Ceramic Expressions 4th Edition
- Apposite Ground: A Remix of Media Art and Interactivity
- A Passage Through Colours
- 10 Years of Comics Art
- Ceramic Expressions 3rd Edition
- To Have and Not To Hold
- Within Without
- Ceramic Expressions 2nd Edition
- Singapore Stories
- Ceramic Expressions 1st Edition
- Working Proofs
- On Common Ground
- Heirloom
- The Duality of Love
- Kei - Memories In Clay
- Monthly Feature 1
- Future Imperfect
- French Kiss
- The Art of Readin @ Auxenxios
- The Art of Charlie Chan Hock Chye
- Beyond Reality
- Looking In Is The Only Way Out
- Not All Dreams are Dreams
- Kaleidoscopic
- Kopi Culture
- IPOS
- Skinny Beautiful Woman
- Lines of Poetry
- Unbound
- Contingency
- Between Lines
- NHN: Change The World
- The Dream Weavers
- Colours of Innocence
- Let's Go On a Merry Go Round
- Confluence: Sojourn
- Singapore, In Heart and In Soul
- Ethereal Roots
- Placidity of Nature
- Chinese Contemporary Art
- The Power of Life
- Sequential Art Attacks
- SurfaceScapes
- Spellbound 以女为美
- All The World’s A Stage人生如戏
- Sequential Arts. A Comic Art Exhibition
- Official Launch of 2nd Edition Gallery Profile Booklet and Website
- Narratives of the East
- Masquerade
- Graceful Moods
- Luminosity
- Monochromatism
- Different Strokes, Modern Visions of Asia
- Lucky Plazas
- Illusory Worlds
- Beyond Simplicity
- Images Breakdown II
- Man Heroes Myths & Gods
Past Exhibitions
Not All Dreams are Dreams
By Joseph Chiang
5 September 2015 - 6 October 2015 (Reception: 4 September 2015)
Set in a contemporary style of pop surrealism with a distinct self-taught aesthetic, these traditional linocut prints and graphite drawings are derived from a series of personal dreams and the subconscious, drawing influences from popular culture such as from comics, graphic novels and pop art, while juxtaposing these against references to familiar images in surrealism.
The figures in these works are suspended in a fantasy dream world of the bizarre and the uncanny, full of wonder and whimsy. Referencing Dali’s melting clock image in the master’s surrealist works, time is constantly fluid and slipping in this dream fugue. The boy protagonist evokes a child-like sense of imagination and wonder, free and untethered to fixed interpretations and even the body, as childhood innocence is pitted against mysterious recesses welling up from the deep. A symbol of life and the unconscious, the fish figure acts as an emblem of a disquieting exploration seeking to dive beneath the surface of reality into its underlying structures and spiritual order, dancing between worlds while hinting at the realm of transcendence. But any attempt to reach an idealised unity and whole is often frustrated, as the real remains ineffable and fragmented.
In playing with archetype and presenting the same figures over different pieces, the artist imbricates layers of meaning and creates a dialogue via difference and repetition in these works. Through the suspension of everyday reality, these works daringly propose a radical openness to construction and the subconscious, and in so doing, extend through the mirror a very personal offer to partake in the same freedom in interpretation for the viewer.
