All pictures used in this website are copyright
2008 – 2020 © Mulan Gallery. All Rights Reserved.
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- Past Exhibitions
- Prints Through Time
- Leaf & Lore
- Ways of Seeing
- Celebrating Women Artists: CE5
- Moving Plates
- Mimesis
- CCB
- EveryDayDreams
- Ceramic Expressions 4th Edition
- Apposite Ground: A Remix of Media Art and Interactivity
- A Passage Through Colours
- 10 Years of Comics Art
- Ceramic Expressions 3rd Edition
- To Have and Not To Hold
- Ceramic Expressions 2nd Edition
- Singapore Stories
- Ceramic Expressions 1st Edition
- Working Proofs
- On Common Ground
- Heirloom
- The Duality of Love
- Kei - Memories In Clay
- Monthly Feature 1
- French Kiss
- The Art of Readin @ Auxenxios
- The Art of Charlie Chan Hock Chye
- Beyond Reality
- Looking In Is The Only Way Out
- Not All Dreams are Dreams
- Kaleidoscopic
- Kopi Culture
- IPOS
- Skinny Beautiful Woman
- Lines of Poetry
- Unbound
- Contingency
- Between Lines
- NHN: Change The World
- The Dream Weavers
- Colours of Innocence
- Let's Go On a Merry Go Round
- Confluence: Sojourn
- Singapore, In Heart and In Soul
- Ethereal Roots
- Placidity of Nature
- Chinese Contemporary Art
- The Power of Life
- Sequential Art Attacks
- SurfaceScapes
- Spellbound 以女为美
- All The World’s A Stage人生如戏
- Sequential Arts. A Comic Art Exhibition
- Official Launch of 2nd Edition Gallery Profile Booklet and Website
- Narratives of the East
- Masquerade
- Graceful Moods
- Luminosity
- Monochromatism
- Different Strokes, Modern Visions of Asia
- Lucky Plazas
- Illusory Worlds
- Beyond Simplicity
- Images Breakdown II
- Man Heroes Myths & Gods
Past Exhibitions
Spellbound 以女为美
By Shi Wei
9 June - 10 July 2012 [Extended till 15 August 2012]
(Opening reception: 8 June 2012, 7 pm)
Shi Wei's works present a record of the social conditions and values specific to women of this age, and are an attempt at recording the indefinable anxiety and uncertainties faced by modern young women in China - despite and perhaps as a result of their newly acquired social and economic freedoms. In his works, as opposed to the traditional coy or bashful posture, the female body is portrayed as open and unadulterated, often displaying a hint of sexiness towards the viewer - sometimes hesitant, sometimes outright blatantly suggestive, sometimes contradictory - their thin, visually distorted bodies reflecting their unrelenting pursuit of thinness as the dominant fashion or social trend. Sometimes barely clothed and striking provocative poses, their very modern sexiness, tinged with a morbid palette, comes across as lifeless and cold. Each painting portrays a different content and temperament: some show happiness; some anguish, while others express utter indifference; each a representation of the lifestyles as well as the ideas and ideals of modern women.
